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  • American Songwriter

    3 Timeless Simon & Garfunkel Songs that Showcase the Art of Songwriting at Its Best

    By Jacob Uitti,

    15 hours ago
    https://img.particlenews.com/image.php?url=403BSA_0uyucLEo00

    Paul Simon is one of the greatest songwriters of all time. By simply using his voice and an acoustic guitar, the Newark, New Jersey-born artist could bring just about any music listener to tears. And when paired with his former classmate Art Garfunkel, the two brought divine harmonies to the forefront and became an indelible performing pair.

    Here below, we wanted to explore a trio of the duo’s tunes that continue to wow music fans while at the same time showcasing the art of songwriting at its best. Three songs that make the heart remember the true purpose of music: to captivate and inspire. Indeed, these are three timeless Simon & Garfunkel songs that continue to teach teach art of songwriting.

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    [RELATED: Remember When: A Movie Helped Break Up Simon & Garfunkel]

    “The Sounds of Silence” from Wednesday Morning, 3 A.M. (1963)

    Originally released as an acoustic song on the duo’s debut LP Wednesday Morning, 3 A.M., this tune also found itself on the pair’s 1966 sophomore LP of the same name, altered with a bit of electric guitar and drums. That version hit No. 1 on the Billboard Hot 100. As if those two releases weren’t enough, the song later found itself on the seminal 1968 soundtrack for the iconic movie The Graduate, and then again on the Mrs. Robinson EP in 1968. But however one heard it in the percolating creative decade of the 1960s, it sounded just as sweet. Indeed, “The Sounds of Silence” is one of the duo’s most beloved songs—it’s dreamy, surreal, ironic, and poetic. And on it, the two sing in unison,

    Hello darkness, my old friend

    I’ve come to talk with you again

    Because a vision softly creeping

    Left its seeds while I was sleeping

    And the vision that was planted in my brain

    Still remains

    Within the sound of silence

    In restless dreams, I walked alone

    Narrow streets of cobblestone

    ‘Neath the halo of a street lamp

    I turned my collar to the cold and damp

    When my eyes were stabbed by the flash of a neon light

    That split the night

    And touched the sound of silence

    “Mrs. Robinson” from Bookends (1968)

    Released on Simon & Garfunkel’s 1968 LP Bookends, this song was also part of the soundtrack for The Graduate, as it got its name from that movie’s co-lead character, the sultry, flirtatious, and dangerous Mrs. Robinson. Originally, Simon had written the song and it had no set name, but he was able to change the name to fit the film when the duo was asked to write for the soundtrack. While the song is addressed to the title figure, it is also about America itself with its celebrities and religion. On the track, the duo sings,

    Coo, coo, ca-choo, Mrs. Robinson

    Jesus loves you more than you will know

    Whoa, whoa, whoa

    God bless you, please, Mrs. Robinson

    Heaven holds a place for those who pray

    Hey, hey, hey

    Hey, hey, hey

    Sitting on a sofa on a Sunday afternoon

    Going to the candidates debate

    Laugh about it, shout about it

    When you’ve got to choose

    Every way you look at this, you lose

    Where have you gone, Joe DiMaggio?

    Our nation turns its lonely eyes to you

    Woo, woo, woo

    What’s that you say, Mrs. Robinson?

    Joltin’ Joe has left and gone away

    Hey, hey, hey

    Hey, hey, hey

    “The Boxer” from Bridge over Troubled Water (1970)

    A beautiful song about a fighter, this track comes from the duo’s fifth and final studio LP. In essence, the song has two meanings. It has the more obvious one, a story about a fighter working to make a name for himself. But it is also at least somewhat about Paul Simon, himself, who was struggling and fighting his way against the world and what, to him, felt like undue criticism in the late 1960s. On the acoustic-driven song, Simon & Garfunkel sing,

    I am just a poor boy

    Though my story’s seldom told

    I have squandered my resistance

    For a pocketful of mumbles

    Such are promises

    All lies and jest

    Still a man hears what he wants to hear

    And disregards the rest

    When I left my home and my family

    I was no more than a boy

    In the company of strangers

    In the quiet of the railway station

    Running scared

    Laying low, seeking out the poorer quarters

    Where the ragged people go

    Looking for the places only they would know

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    Photo by Keystone/Getty Images

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