Linkin Park lands the highest debut on both the Global 200 and Global Excl. U.S., as the band’s comeback single , “The Emptiness Machine,” launches at No. 2 on the latter and No. 3 on the former.
Plus, Sabrina Carpenter claims three songs in the top 10 of both the Global 200 and Global Excl. U.S. for a third week, all from her new album, Short n’ Sweet , which notches a third week at No. 1 on the U.S.-based Billboard 200 .
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Die With a Smile” leads the Global 200 with 111.4 million streams (up 5% week-over-week) and 9,000 sold (down 10%) worldwide Sept. 6-12. The ballad, released Aug. 16 , is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.
Billie Eilish’s “Birds of a Feather” rises 3-2 on the Global 200, following three weeks at No. 1 beginning in August.
Linkin Park’s “The Emptiness Machine” soars onto the Global 200 at No. 3, marking the band’s first top 10 since the chart began, with 74 million streams and 19,000 sold worldwide Sept. 6-12, its first full tracking week; it premiered at 6 p.m. ET on Sept. 5. The song is the lead single from From Zero , Linkin Park’s eighth studio album, due Nov. 15. It’s the group’s first LP of all new music since the death of co-frontman Chester Bennington in 2017 and its first with vocalist Emily Armstrong.
Notably, as “The Emptiness Machine” concurrently blasts to No. 1 on the U.S.-based Hot Hard Rock Songs chart, it’s the first leader on the list also to have hit the Global 200’s top three.
Sabrina Carpenter claims three songs in the Global 200’s top 10 for a third week: “Taste” slips to No. 4 from its No. 2 high; “Espresso” drops 4-5, following three nonconsecutive weeks at No. 1 beginning in June; and “Please Please Please” descends 5-6, after two weeks at No. 1 also starting in June. She’s the first artist to triple up in the top 10 over three weeks in 2024, besting Eilish and Taylor Swift, each with two such weeks this year.
“Die With a Smile” tops Global Excl. U.S. with 86.1 million streams (up 9%) and 5,000 sold (up 1%) outside the U.S. Sept. 6-12. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.
Linkin Park’s “The Emptiness Machine” bounds onto Global Excl. U.S. at No. 2, becoming the band’s first top 10, with 60.8 million streams and 11,000 sold outside the U.S. Sept. 6-12.
Eilish’s “Birds of a Feather” slides 2-3 after three weeks atop Global Excl. U.S. beginning in August; Carpenter’s “Espresso” drops 3-4, following eight nonconsecutive weeks at No. 1 beginning in May; and Karol G’s “Si Antes Te Hubiera Conocido” holds at No. 5, after reaching No. 2.
Plus, Carpenter’s “Taste” falls to No. 6 on Global Excl. U.S. from its No. 4 best and “Please Please Please” backtracks 6-7, following a week at No. 1 in June. Already the only artist with multiple weeks with three songs in the top 10 simultaneously this year, she adds a third week achieving the feat.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 21, 2024) will update on Billboard.com tomorrow, Sept. 17. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard ’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard , data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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