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    Denitia Breaks Down Origins of “Don’t Let Me Go”: Exclusive

    By Mary Siroky,

    2024-08-13

    The post Denitia Breaks Down Origins of “Don’t Let Me Go”: Exclusive appeared first on Consequence .

    https://img.particlenews.com/image.php?url=1jhwvY_0uwTGjEN00
    Denitia, photo by Chase Denton

    Welcome back to Origins , our recurring series that gives artists a space to break down everything that went into their latest release. Today, rising country artist Denitia talks through the process behind her hypnotic new single, “Don’t Let Me Go.”


    There are so many people trying to make a name in Nashville, but it doesn’t take long to realize that Denitia has something special to offer. As anyone who has caught her playing at a writer’s round or as part of the CMT Next Women in Country program can confirm, the rising singer-songwriter exhibits an entrancing duality onstage. She can be grounded and vulnerable while simultaneously being confident and transportive. Like the best country music, there’s room for all of it.

    Denitia is gearing up for a new project, titled Sunset Drive , out September 6th. Her new single, “Don’t Let Me Go,” follows a lamenting track, “Back to You.” The two offerings emphasize her unique voice — both in the literal sense and in terms of songwriting. Today, she provides insights into how “Don’t Let Me Go” came about, from the production process to her visual take on the track.

    Watch the music video for “Don’t Let Me Go” below, and read on for Denitia’s key points that went into developing the song.

    Denitia will be opening on Mickey Guyton’s tour this fall; grab tickets to see them here .


    Dreamy drums:

    https://img.particlenews.com/image.php?url=4JtBNg_0uwTGjEN00

    Photo by Josh Sorenson via Pexels

    I started writing this one in a sleep-deprived state, getting lost in the stirring of drums and bass, ebbing and flowing together. The drums were first on this one, which makes this song an outlier on the record in terms of vibe, as well as process. I was using a Fender Jazzmaster to drive things along and ran it through an octave pedal to create the initial demo bass.

    I wanted to figure out how to make it feel aloof and emotional at the same time — to explore that duality. It felt dreamy and hypnotic to lay some airy acoustic guitars over it. The vocal came pretty quickly, and when I wrote the chorus, I knew I had something I wanted to keep. My producer came in and replayed some of the elements to make it sound better than the demo, but I’m proud that this one is a co-production and a lot of the original vibes from day one are there.

    Dusk:

    https://img.particlenews.com/image.php?url=2W4ucG_0uwTGjEN00

    Photo by Joshua Song via Unsplash

    This song feels shadowy — gold, black, indigo. I felt this nighttime quality that had a steady ray of light shining through it. Visually, it feels like a photo in motion. So much of the arrangement is steady and hypnotic, but we’re moving forward even if it’s not linear. The perfect time to listen to this is in a liminal moment, like dusk or twilight. There’s also something to be said for a quiet night in with candles burning.

    Push and pull:

    https://img.particlenews.com/image.php?url=1YT1Dv_0uwTGjEN00

    Photo via Pexels

    Because the lyrics embody this sort of push and pull, this holding on but letting go, it feels like the perfect time to put this record on is during a time that has layers and movement. It’s kind of a “free fall before you hit the ground” kind of moment. This song should be sent to anyone who would have made you change your Facebook status to “it’s complicated.”

    Alt-country and indie rock playlists:

    https://img.particlenews.com/image.php?url=2xBDqh_0uwTGjEN00

    Photo by Garrett Morrow via Pexels

    This song would live well on a playlist among Faye Webster, Waxahatchee, Big Thief, Amythyst Kiah, and Sturgill Simpson. I had been listening to a track from Soccer Mommy, and pedal steel was on my mind.

    Denitia Breaks Down Origins of “Don’t Let Me Go”: Exclusive
    Mary Siroky

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