Thus, Fender will make a grand return to the gear-filled halls of the Anaheim Convention Center in January 2025.
Speaking via an announcement video, Mooney, joined by NAMM CEO John Mlynczak, has detailed the firm’s thinking.
“When NAMM closed during COVID, we were compelled to come up with a plan B,” he explains. “We developed [an] online dealer event and reallocated the money we would have spent going to the show into increased marketing.
“That has worked for us,” he goes on to say. Yet, while Fender has zero intention of calling it a day with its own events in the wake of its NAMM return, Mooney says they “missed having a physical presence” at the event.
“That high-touch, in-person, long-form interaction is vitally important for the industry,” he believes. “We were just looking for the right time to come back.
“Going forward, [Fender] will have more and exciting new products to intro at NAMM and then in the fall, we will revert back to our online dealer events. We’re thrilled to be back, we missed being there, and I’m excited to see everyone again back in Anaheim.”
Justifying Fender’s absence from previous events, Mooney had cited associated costs weighed against the benefits and capabilities of remote networking, no doubt buoyed by the success of its COVID-forced virtual events.
He’s also drawn parallels to the cancellation of the E3 gaming show, which attracted nearly 70,000 attendees year-on-year until COVID changed the landscape. Big hitters, including Sony, Mircosoft, and Nintendo, pulled out of the show entirely, forcing its permanent cancellation in 2023.
At that time, he had flown the flag for virtual events, saying: “Out of necessity during COVID, people experimented with other approaches and have found that they are actually not only better for the brands but better for the industry.
“In our case, it costs to set up the booth [and] have everybody there – that’s a substantial bill. What happens during NAMM which always used to make me pull my hair out is, we’d only get to spend an hour with major retailers.”
Feeling similarly, Gibson, PRS , and Boss have all previously pulled out of the winter event, though Boss returned for NAMM 2024 as it harmonized with the 50th anniversary of its first product.
It will be interesting to see whether this U-turn helps turn the tide of NAMM’s fortunes and encourage other big-name brands to return.
NAMM 2024 proved especially successful, with Fender no doubt keeping a close eye on proceedings and being impressed with what they saw. The event shone spotlights on innovative gear developments and outside-the-box thinking, with some smaller firms perhaps benefitting from the lack of some of the spotlight-stealing big boys.
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