Broadway continued settling in to its post-Tonys summer last week, with box office for most shows slipping at least a bit from the previous week and the total roster trimmed to 30 from 32.
Bartlett Sher To Direct Dolly Parton Broadway Musical ‘Hello, I’m Dolly’
In all, receipts for the 30 productions totaled $34,783,390 , down about 7% from the previous week (one of the shows no longer on the roster was the heavy-hitter An Enemy of the People ). Attendance for the week ending June 30 was 264,578 , down about 6% from the previous week. Even with the small decline, a strong 93% of available seats were filled.
Some notable numbers:
- Merrily We Roll Along once again broke the house record at the Hudson Theatre – the ninth time for those keeping count. With its July 7 closing date fast approaching, the revival grossed $2,321,807 for the week;
- The Outsiders , which won the Tony for Best Musical, set a house record at the Bernard B. Jacobs Theatre for the second consecutive week, grossing $1,338,556 ;
- Hell’s Kitchen grossed $1,549,472 , a drop of $251,416 due to the gifting by the production and TDF of 1,300 tickets to graduating high school seniors in NYC for the Wednesday evening performance;
- Cabaret at the Kit Kat Club was down a tiny $3,749 to $1,810,907 as the production settled into the second week of its summer schedule : Stars Eddie Redmayne and Gayle Rankin are playing seven performances a week, with alternates filling in for an eighth;
- Oh, Mary! , the new and much-anticipated Cole Escola comedy, began previews at the Lyceum, selling 96% of seats for the five performances and grossing $420,648 ; opening night is July 11;
The Tony-winning Appropriate starring Sarah Paulson ended its limited run June 30 on a happy note: Receipts were up $241,111 to $1,167,209 .
Also ending their runs were A Beautiful Noise, the Neil Diamond Musical , taking in $1,223,279 , a bump of $94,727 from the previous week; and Mary Jane starring Rachel McAdams, slipping $7,081 to $324,007 for seven performances.
‘Studio 54 The Musical’ In Development For Broadway By Producers Robert Greenblatt & Neil Meron; Sergio Trujillo Directing & Choreographing
Some spring 2024 arrivals that saw noticeable drops were Water For Elephants , down $154,425 to $969,253 , with 77% of seats at the Imperial filled, compared to 88% the previous week; Illinoise went from 91% capacity to 86%, receipts dropping $128,348 to $719,154 ; The Who’s Tommy was down $140,362 to $654,606 ; the rock opera revival closes July 21.
Shows filling at least 90% of available seats were & Juliet, Aladdin, Appropriate, Cabaret at the Kit Kat Club, Hadestown (100%), Hamilton (101%), Hell’s Kitchen (101%), Merrily We Roll Along (100%), Moulin Rouge!, Oh, Mary!, Six, Stereophonic (99%), Suffs, The Book of Mormon, The Great Gatsby, The Lion King, The Notebook, The Outsiders (102%), The Wiz and Wicked.
Season to date, Broadway, in the sixth week of the 2024-25 season, has grossed $214,163,099 , up 10% over last year at this time, with total attendance of 1,699,848 up 6%.
All figures courtesy of The Broadway League. For complete box office listings, visit the League’s website .
'Stereophonic' Launching Pad Playwrights Horizons Names New Managing Director As Tough Economy Lashes Nonprofit Theaters
Most Popular
Comments / 0