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  • The Mirror US

    John Wayne left speechless by Maureen O'Hara's forbidden improvised line in The Quiet Man

    By George Simpson & Alex Wellman,

    1 day ago
    https://img.particlenews.com/image.php?url=156VM3_0uYdd1VH00

    In the 1952 Oscar-winning classic, hailed by director John Ford as his sexiest film, John Wayne's character Sean Thornton returns to his ancestral Irish village to reclaim his family's estate in the 1920s. Sparks fly when he encounters the feisty Mary Kate Danaher and her troublesome brother Red, played by Maureen O'Hara and Victor McLaglen, respectively.

    O'Hara braved much of the filming in County Mayo and County Galway with a broken hand bone, sustained when Wayne blocked her slap during their passionate first-kiss scene and shot in sequence, she persevered without a cast to mend it.

    The saga on set intensified when O'Hara was tasked with murmuring an off-the-cuff remark in Wayne's ear that utterly blindsided him causing the striking double-take viewers see in the final cut of The Quiet Man. Although the sassy comment remains unheard by the audience, it earned a place in film history for its genuine surprise, reports the Express .

    O'Hara later admitted in her memoir that she had initially balked at the line, exclaiming, "I couldn't possibly say that to Duke! " Yet Ford pushed for authenticity, demanding the line be delivered, leading to a priceless, unfeigned reaction from Wayne.

    Only three individuals knew what the line was, and they took it to their graves. Given that the director considered The Quiet Man his most sensual film, it's likely that it was something deemed risque in the early 1950s

    Interestingly, this scene and the final fight almost didn't make it into the movie until Ford insisted on the final cut in his typical unyielding style.

    Republic Pictures had demanded that The Quiet Man not exceed two hours, under the belief that audiences wouldn't want to sit in a theater for any longer than that.

    Initially, Ford resisted, arguing that he had trimmed all the excess and required the additional nine minutes, but the executives stood firm. A few days later, he claimed to have the final print ready for screening, when in reality it was his 129-minute cut.

    Exactly two hours in, the director signaled to the projectionist to stop the movie right in the middle of the climactic final fight between Sean and Red. Ultimately, the studio executives relented and allowed him his extra nine minutes.

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