Shaboozey’s ‘A Bar Song (Tipsy)’ Rebounds for Second Week at No. 1 on Hot 100

Shaboozey is “A Bar Song (Tipsy)” is top shelf on the Billboard Hot 100 again, rebounding from the runner-up spot for a second week at No. 1. Two weeks earlier, the single became his first leader on the chart.

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The song by the Virgina native (born Collins Obinna Chibueze) is from his LP Where I’ve Been, Isn’t Where I’m Going , which debuted at its No. 5 high on the Billboard 200 in June. It has spent two weeks at No. 1 on Americana/Folk Albums and reached No. 2 on Top Country Albums.

Of his breakthrough this year, Shaboozey, who has been releasing music for a decade, recently told Billboard , “We were pretty prepared for this moment.”

Plus, Eminem ’s “Houdini” returns to the Hot 100’s top 10, wriggling 18-10, as his new album, The Death of Slim Shady (Coup de Grâce) , soars in at No. 1 on the Billboard 200.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 27, 2024) will update on Billboard.com tomorrow, July 23. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

“A Bar Song (Tipsy),” on American Dogwood/EMPIRE (with country radio promotion by Magnolia Music), rules the Hot 100 with 77.2 million radio airplay audience impressions (up 11%, good for top Airplay Gainer honors for a third week), 39 million official streams (down 6%) and 16,000 sold (down 24%) in the United States July 12-18.

The track keeps at its No. 2 high on Radio Songs ; holds at No. 2 on the Streaming Songs chart, following a week at No. 1; and dips to No. 2 after nine weeks atop Digital Song Sales .

Reflecting its mass appeal, “A Bar Song (Tipsy),” which interpolates J-Kwon’s 2004 hip-hop classic “Tipsy,” became the first song ever to go top 10 on all four of the following Billboard radio charts, where it continues to gain: It pushes 4-3 on Country Airplay and 7-5 on Pop Airplay ; repeats at its No. 5 high on Rhythmic Airplay ; and is steady at its No. 6 best on Adult Pop Airplay .

“A Bar Song (Tipsy)” concurrently crowns the multimetric Hot Country Songs chart for a sixth week.

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Post Malone’s “I Had Some Help,” featuring Morgan Wallen, rebounds 3-2 on the Hot 100 following six nonconsecutive weeks at No. 1 beginning in May. It tops Radio Songs for a fourth week (84.8 million, up 5%) and the multimetric Songs of the Summer chart for an eighth frame.

Kendrick Lamar’s “Not Like Us” drops to No. 3 on the Hot 100, a week after it returned to the summit for a second week on top . It commands the multimetric Hot Rap Songs chart for a 10th week and Hot R&B/Hip-Hop Songs for an eighth week.

Tommy Richman’s “Million Dollar Baby” holds at No. 4 on the Hot 100, after hitting No. 2, as it leads the multimetric Hot R&B Songs chart for a 12th week.

Sabrina Carpenter’s “Espresso” keeps at No. 5 on the Hot 100, after reaching No. 3, and her “Please Please Please” repeats at No. 6, four weeks after it became her first No. 1 . She claims a sixth week with multiple songs in the top 10, the most of any artist this year.

Hozier’s “Too Sweet” lifts 8-7 on the Hot 100, following a week at No. 1 in April. It rules the multimetric Hot Rock Songs and Hot Alternative Songs charts for a 16th week each and Hot Rock & Alternative Songs for a 15th week.

Teddy Swims’ “Lose Control,” which led for a week in March, rises 10-8 on the Hot 100 and Benson Boone’s No. 2-peaking “Beautiful Things” is stationary at No. 9.

Rounding out the Hot 100’s top 10, Eminem’s “Houdini” escapes from below the tier, bounding 18-10 as the top Streaming Gainer award winner (21.6 million, up 64%); it’s also up 11% to 24.6 million in airplay audience. The lead single from his new album, The Death of Slim Shady (Coup de Grâce) , which launches at No. 1 on the Billboard 200, hit No. 2 on the Hot 100 upon its debut in June, becoming his 23rd top 10.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard , data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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