EAG Records Drops Their First Compilation—A New Era for NYC Hip-Hop?Photo byEAG Instagram

EAG Volume 1: The Compilation That Defines New York’s Next Wave

This past weekend, I had the opportunity to attend the listening event for the debut project from the newly formed Everythings a Go record label (EAG). The label, straight out of New York City, is made up of emerging talents SaadGod, L. Smith, Moe Money, and Champion—a collective of rappers, vocalists, and performers who are already building momentum in the local scene.

What really stood out to me about this event was how much of a statement this compilation, EAG Vol. 1, was aiming to make. For those familiar with New York’s underground and indie music scene, SaadGod, in particular, is no stranger. Having dropped over five independent projects, he’s carved out a reputation for himself. On the flip side, L. Smith is known for his smooth vocals and commanding live performances. So when these two linked up with Moe Money and Champion, both rising rappers, there was curiosity about how their styles would blend on a cohesive project.

At the listening session, SaadGod (who also serves as the label’s CEO) made it clear that this wasn’t just another group project. This was a compilation album—a showcase of what each artist brings to the label and how their individual talents could elevate the collective. In essence, EAG Vol. 1 is an all-star game for these artists. They’re a team, but not a group. Each member’s lane remains distinct while contributing to the overarching sound of EAG.

A Strong Opening: Energy Meets Grit

From the jump, EAG Vol. 1 comes out swinging. "The Intro" hits like a heavyweight—10/10. The track’s energy is undeniable, and each artist takes their moment to shine, with SaadGod setting the tone, followed by Moe Money and Champion. What’s most compelling is the way the beat shifts for each verse, giving every artist their own sonic space. That level of attention to detail immediately had me hooked and ready for what was to come.

Next up is "Diamondz R 4eva", another standout. Using a sample from Shirley Bassey’s iconic “Diamonds Are Forever” (previously flipped by Kanye), the track maintains that raw energy established by the intro. The trio of Saad, Moe, and Champion deliver back-to-back with sharp verses. There’s a hunger in their delivery that feels like classic New York grit, earning this track another solid 10/10.

"Eye of the Tiger" continues the streak, hitting hard with its aggressive, motivational tone. SaadGod opens again, setting a high bar before Champion and Moe Money jump in. By this point in the album, it feels like the crew has perfected the formula: gritty bars, hard-hitting beats, and a natural chemistry. This track, like the two before it, earns a 10/10 rating for its intensity.

SaadGod Solo

Then comes "Hail Mary", a SaadGod solo cut that steps away from the group’s collective energy and lets him take the spotlight. While it’s an impressive effort with some strong lyrical moments, I scored this one an 8/10. There’s still a certain level of expectation for SaadGod to carry the fire of those earlier group tracks, and while it’s solid, it lacks the same impact that’s made the project stand out so far.

The next track, "Pledge of Allegiance", brings Saad and Moe Money together for a duet. The chemistry between the two is solid, but after the trio’s heavy-hitting start, it feels like a slight dip in energy. This record scored a 7/10—still decent, but lacking the urgency of earlier tracks. It’s around here that I began really wondering when L. Smith would step in and switch up the vibe.

L. Smith Shines: Vocals in the Mix

The wait is over with "I’ve Got Something to Say", where L. Smith finally gets to showcase his talents alongside Champion, SaadGod, and Moe Money. This is where the project transitions into true compilation mode, giving all four artists their moment. It’s got a refreshing, breezy feel, like the perfect spring anthem that could easily carry into summer. L. Smith’s presence adds a new layer to the sound, making this track an unexpected highlight. It’s the sleeper hit of the album, earning a 10/10.

"Big Boys" follows, a record clearly crafted to be the album’s lead single. With its catchy hook and tight verses, this is the kind of track that could help EAG Vol. 1 connect with a broader audience, especially younger listeners who appreciate authenticity and solid bars. It’s a solid 7/10—good enough to draw in new fans, but not quite a game-changer.

Individual Showcases: Moe Money and Champion

As the album moves forward, it’s time for the artists to get their solo shine. Moe Money steps up with "Tinman" (7/10) and "Off The Backwood" (6/10). Both tracks are solid, and Moe shows his strength as a conceptual artist, particularly with the storytelling on “Tinman.” However, there’s a noticeable difference between his energy on solo tracks compared to when he’s paired with SaadGod and Champion.

Then we get "My 1st Love", a duet between SaadGod and L. Smith that brings a softer, more introspective vibe to the album. Though love songs from rappers are hit or miss for me, this one earns an 8/10 for its heartfelt delivery. It’s a refreshing change of pace, even if it doesn’t quite hit my personal preferences.

L. Smith follows up with his solo track "Love You" (7/10). While I’ve been a fan of L. Smith’s vulnerability in the past, this record felt a bit more polished and less raw than I prefer from him. That said, it’s still a solid effort and demonstrates his range as an artist.

Champion then steps up with "Inhale" (6/10), which serves as a cool-down moment for the project. Champion still delivers, but like Moe, he’s compelling when surrounded by the energy of his labelmates.

A Strong Finish: Closing on a High Note

Finally, we reach "Ask Why", featuring SaadGod, L. Smith, and Moe Money. This track brings the project full circle, with the kind of energy and sharp lyricism that made the intro so captivating. It’s rare for an album to end on a high note that makes you want to hit repeat, but EAG Vol. 1 pulls it off. This track scores a 10/10 and leaves you excited for what’s next from this collective.

A New Chapter in New York Hip-Hop

EAG Vol. 1 feels like a statement from a new wave of New York talent. It’s clear that Everythings a Go is more than just a label; it’s a collective of artists who are carving out their own lane in a city known for its relentless competitiveness. While the album has its highs and critique moments, it’s a solid debut that showcases each artist’s strengths and sets the stage for bigger things to come.

Track Average of Album: 8/10
Album Breakdown Score:

• Beats: 10/10
• Lyrics: 10/10
• Concept: 7/10
• Rollout: 8/10
• Replay Value: 10/10
• Total Score: 9/10

Click here to stream EAG Vol.1 on Band Camp