Choose your location
Pitchfork
Listen to Chappell Roan’s New Song “Good Luck, Babe!”
Chappell Roan has shared a brand new single following her 2023 debut LP The Rise and Fall of a Midwest Princess. The track is called “Good Luck, Babe!” and you can hear it below via Amusement/Island. “I needed to write a song about a common situationship within queer...
There’s Nothing Wrong With Love
Built to Spill have announced a tour celebrating the 30th anniversary of their 1994 LP There’s Nothing Wrong With Love. The band will perform the album in its entirety each night during a slate of concerts across North America. Built to Spill will commence the trek on August 9 in Boise, and stop over in Portland, Seattle, Milwaukee, Chicago, Cincinnati, Detroit, Boston, Atlanta, Omaha, Denver, and many more cities before their closeout show in Sacramento on September 29. Find their full schedule below.
Doja Cat Shares Songs With A$AP Rocky and Teezo Touchdown on New Scarlet 2 Claude Deluxe Album: Listen
Doja Cat has released the deluxe edition of her latest album, Scarlet. The new release, titled Scarlet 2 Claude, includes collaborations with A$AP Rocky and Teezo Touchdown. Find the new album, as well as the music video for Doja Cat’s new song with Teezo Touchdown, “Masc,” below.
J. Cole Answers Kendrick Lamar Diss on Surprise New Album Might Delete Later: Listen
With little warning, J. Cole released the new album Might Delete Later overnight. The North Carolina rapper’s first full-length since May 2021’s The Off-Season has contributions from Ari Lennox, Gucci Mane, Young Dro, T-Minus, Cam’ron, Bas, the Alchemist, Ab-Soul, Charlie Heat, Mike Will Made-It, Conductor Williams, Central Cee, and more. Listen to J. Cole’s new album below.
9 New Albums You Should Listen to Now: Vampire Weekend, Mount Kimbie, Glorilla, and More
With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week’s batch includes new albums from Vampire Weekend, Mount Kimbie, Glorilla, Sinkane, Phosphorescent, Drahla, Grace Cummings, Bnny, and Adam Wiltzie. Subscribe to Pitchfork’s New Music Friday newsletter to get our recommendations in your inbox every week. (All releases featured here are independently selected by our editors. When you buy something through our affiliate links, however, Pitchfork earns an affiliate commission.)
Ohio Players
Like many couples in a long-term relationship, the Black Keys decided to look outside their union for inspiration when it came time to record Ohio Players, the band’s twelfth album. No strangers to extracurricular collaborations—guitarist/vocalist Dan Auerbach practically lives at his Easy Eye Sound, producing records for Robert Finley, Hermanos Gutiérrez, Marcus King, Early James, and Shannon and the Clams in the last few years—the band hasn’t brought additional musicians into the studio since reviving their partnership in 2019 with “Let’s Rock”, a back-to-basics platter that seemed to reject the psychedelic haze engulfing 2014’s Turn Blue.
Interplay
Nine years and three albums into their reunion, Ride refuse to pander to their classic sound. Their stance is frustratingly laudable—a creative obstinacy to be admired with a slightly heavy heart. The Oxford band may not have invented the shoegaze palette of swirling guitars and dreamy vocals, but in the early 1990s, when the genre first started to take hold, Ride were the shoegaze poster boys, their sharp songs and good looks taking the Thames Valley sound to the upper reaches of the UK charts. And if Slowdive have surpassed them in popularity post-reformation, you can still hear the vaporous drive of Ride’s debut album, Nowhere, in the music of nu-gaze bands from Hotline TNT to For Tracy Hyde.
GAMMA
In the beginning, Gesaffelstein exuded cool. His synths oozed menace; his German-sounding alias was steeped in the perfume of Teutonic techno cred. Like Rick Owens’ slouchy draping, the French producer’s shadowy, slo-mo techno felt elegantly seedy, like a runway show in a back alley. But success has a way of defanging danger. After his work on Kanye West’s Yeezus boosted his profile, Gesaffelstein’s sophomore album, 2019’s Hyperion, came front-loaded with features like Pharrell, the sort of A-list cosign that the industry requires of a rising star. The louche swagger stumbled.
Listen to Kehlani’s New Song “After Hours”
Kehlani has returned with “After Hours,” her first new solo single since 2022. The new track was produced by Khris Riddick and Alex Goldblatt, and features samples of Cordel “Scatta” Burrell’s “Coolie Dance Rhythm.” Check out “After Hours” below. Kehlani released...
Watch Kim Gordon Perform “Bye Bye” on Kimmel
Kim Gordon and her band performed on a recent episode of Jimmy Kimmel Live! Gordon played “Bye Bye,” the opening track from her new album, The Collective. The performance was accented with an audiovisual display and flashing lights. Check it out below. The Collective follows Gordon’s 2019 solo...
It’s essential to note our commitment to transparency:
Our Terms of Use acknowledge that our services may not always be error-free, and our Community Standards emphasize our discretion in enforcing policies. As a platform hosting over 100,000 pieces of content published daily, we cannot pre-vet content, but we strive to foster a dynamic environment for free expression and robust discourse through safety guardrails of human and AI moderation.