New doc tells the story of Jimi Hendrix's Electric Lady Studios

It’s been confirmed that there’s a new documentary on the way about Electric Lady in New York, the iconic studio that was originally set up by Jimi Hendrix.

Directed by John McDermott, who also made the Music, Money, Madness – Jimi Hendrix in Maui doc, Electric Lady Studios: A Jimi Hendrix Vision is set to have its premiere in New York next month, followed by a global release.

The film traces the origins of the project – from Hendrix’s initial purchase of a derelict Manhattan nightclub to its status as one of the world’s best-known studios. It will also include exclusive footage of Hendrix himself and interviews with Steve Winwood, who was there on its opening night, Experience bassist Billy Cox and producer Eddie Kramer, who was Director Of Engineering at the studio from its inception to 1974.

Electric Lady was born from Hendrix’s desire for a space where he could unwind and record on an 8-track. The original idea was for a club. As the doc reveals, he had been inspired by Cerebrum, a Greenwich Village club whose patrons wore flowing robes and were inundated by flashing lights, spectral images and swirling sound. Hendrix and his manager Michael Jeffery envisaged something similar, ‘an electric studio of participation’.

In the end, as Kramer recalls, this idea was shelved: “I knew at once that a club would be disastrous. I remember saying something like “You guys must be out your f***ing minds! Do you have any idea of what Jimi spends in studio time in a year? Let’s build the best studio in the world for him so when he walks in, he can relax and record whenever he wants.”

The studio was completed in June 1970 and Hendrix recorded much of the Cry Of Love album there before he left to play his final live shows in Europe that September. After his death, Electric Lady went on to be used by some of music’s biggest names: John Lennon, David Bowie, Stevie Wonder, Chic, AC/DC and The Clash have all recorded there.

Hendrix’s surviving sibling, Janie, is the co-producer and has said of the film: “[It] brings to light just how forward-thinking and inventive Jimi was in every aspect of his music, including production and recording.

“It was at Electric Lady Studios where he pushed beyond the musical limits of what was known, and he then opened the door to other musicians, allowing them the space to realise their own artistic hopes and dreams. My brother conceived something so amazing and so big that it has lived on for decades since its inception, serving as a passageway for hundreds of artists to bring their creativity to a waiting world audience.”